There is no clear answer, as their relationship is unlike those traditionally portrayed in this sort of story. [11][12], The ambivalence and duality in this scene represent the fact that they are not yet completely healthy and changed, but are beginning to open themselves to this change. When they are all back, they throw a party for Misato's promotion. Likely implying her acceptance and wish to make peace with him and to forget, at least temporarily, about their past issues. "It feels as if time has stopped.". If Shinji was able to get to the Eva early, it is entirely possible he and Asuka could have defeated the MP Evas. If anyone made Asuka cry it was Misato. Increasingly desperate, Shinji shakes the girl's body, attempting to wake her up, until he inadvertently rips her shirt open and exposes her breasts. See: Shinji's original line, "", translates literally to "I want to be with you forever". In a way she seems to be having fun. Asuka and Shinji are employed together, but she proceeds to charge the opponent on her own, forcing Shinji to cover her, with the sole purpose of proving to him and everyone else her superiority. For example, this from Episode 17: The classmates always know first: The pause in the second image before they deny their relationship typically shows that Toji's observation is correct. Typically antagonists in stories have interesting backgrounds and motives, which lead them to what they do. Being unable to connect to Shinji will be a big contributor in Asuka's ensuing downward spiral as well as Shinji feeling isolated and alone, ultimately leading to him failing to stop Third Impact and entering Instrumentality. Screenwriter Akio Satsukawa, who worked on twelve Evangelion episodes, also worked with Anno on Love & Pop, a 1998 live-action romantic drama film. H e va al hospital de NERV para ver a Asuka en coma, suplicndole que lo ayude. Asuka's loneliness and need for help and love, is the main focus of the scene. In many cases the clues to unraveling a scene can only be found in conjunction with other scenes, as well as the larger narrative and thematic context of the show. A very important episode for Asuka, completely devoid of any angel fights. Notably, Shinji, by his own admission, has no idea about Asuka's current whereabouts and condition, implying that Misato has by this point not yet divulged the information about Asuka's recovery. Shinji trys to wake her up but fails and ends up accidentally pulling Asuka's clothes off, then there is a pause, then it returns to Shinji and he has white stuff on his hand. Furthermore, Ogata asked Anno to help her understand what Anno wanted to convey through the scene and how Shinji is supposed to act. It is the first time we get a clear look at the way Asuka truly feels in relation to Kaji. In his usual self-deprecating manner, Shinji attempts to downplay her praise, telling her that he does not think he has any musical talents and only can do it so well because he has played since he was five years old. As she states that, we are shown flashes of instances, throughout the series, in which Asuka had been in need of Shinji's support: the "walls of Jericho" and the kiss, being the most relevant. She begins to hear another voice within Unit-02 imploring her to live. (last one is the shinji hand shot from the hospital with asuka, hidden for obvi reasons) 15 Jan 2023 20:35:58 "An easily recognizable silhouette is also important, but I designed the characters so that their personalities could be more or less understood at a glance. It is interesting to see how, after the kiss, Asuka seems to be even more frustrated by Shinji's density. Starting off with Asuka attacking Shinji for being too quick to apologize, only to then express her jealousy and frustration at Misato when she tries to take Shinji in defense, accusing her of enabling Shinji's bad habits by being too soft on him and only being in a good mood due to being back together with Kaji. Shinji believes Asuka's lie that her kiss was just to relieve boredom, but once again in Ep. This is from the Chinese release. As stated above, there is no closure such as them accepting their feelings and acknowledging them to each other and possibly to others as well. Ah some objectification of girls from the boys at school balanced out by Shinji just caring about a human. Worth pointing out is that Asuka was met with indifference by Kaji, when she had tried to impress him, earlier in the episode, with her choice of swimsuit. [13] The movie leaves open where they will go from there, but even after all the grievous death and destruction throughout the movie, and even though they are still only starting to grow, it still gives them this hope, as long as they pursue it. See more ideas about asuka, neon genesis evangelion, evangelion. As the two are waiting for Misato's return, Asuka asks Shinji to kiss. Circumstances push them into continued proximity, with sexual tension and slowly building mutual acceptance, as Asuka and Shinji both begin to impact one another's development as a character and as a person. Newtype Film Book Volume 5, dealing with Asuka and Shinji's kiss. Asuka is shown to go out of her way to avoid Misato and Shinji, as she clearly has yet to accept having "lost" to them. Shinji sullenly insists that he did, but Asuka immediately throws it in his face, leading to "Go ahead and do it, I'll be here and watch". Shinji had to learn to stop fearing rejection, and Asuka had to learn to stop rejecting everyone out of hand. She also expresses her annoyance at Shinji having yet to learn the identity of the fourth pilot (Toji). Bmo bubble gay. Asuka is shown to suffer deeply after her loss to the boy, being more concerned by her failure than by Shinji's well being. Unluckily, her loss is inevitable, as Shinji fails to arrive in time. This further reminds us of how important Shinji's role as Kaji's replacement is and how in need of affection and company she is. They are quarreling like a married couple. It is important to remember that Asuka's only way to prove to herself her value is by being the best pilot. The third exchange relates purely to the physical/sexual attraction that exists between the two, not to be mistaken with romantic love. Taking place, nearly in its entirety, during Instrumentality, it allows Asuka and Shinji to confront each other in a way they never could in the series. When Asuka gets back home in the evening she walks in on Shinji playing the cello, and she applauds him after he plays the piece to finish, admitting that she is impressed with his performance and the fact he plays an instrument. Watch popular content from the following creators: candy/cat (@catgirl1rl), Tik Taker Remi (@.skystem), Bunkerpilled2.0 (@bunkerpilled2.0), Eddie (@yuusfavlesbian), ur mum (@nikolaissweat) . That is where the lack of inhibitions comes into play; all the issues Asuka has with Shinji's personality don't seem to affect her interest in him here, as they did throughout the series. Annya webcam show. She can finally accept him for who he is, because she can accept herself. When she learns he had asked Rei the same question, she seems to show a hint of possessiveness, making a pointed comment about how close he and Rei seem to be. Asuka repeats her insistence that Shinji is just lying, but her despondent facial expression betrays that she on some level knows that what he is saying is true. Her familiarity with Shinji is at once apparent as she greets him with a cheery "Guten Morgen! Shinji's reaction isn't particularly amusing for Asuka, as he doesn't quite know what to say and blushes, prompting Asuka to call him a "boring little boy". The rest of the training, which had them perform everything together, proceeds smoothly, with the two having seemingly succeded in finding coordination. "shinji chair asuka hospital scene" SHUT THE FUCK UP #shinjiikari #shinji #neongenesisevangelion #nge 18.4K Likes, 729 Comments. In episode 11 both pairs end up in compromising positions. The irony is that it's clear that as 14 year old teenagers without a purpose in life or anyone to care for them, they're both sexually and romantically attracted to each other. The first is the opening scene of the movie. Asuka's increasing jealousy towards Misato also comes up again, when an absent-minded Kaji tries to wave her off with the excuse that he is busy, and she complains - half to him, half to herself - that he always seem to find the time for Misato, before trying to push him even harder into paying attention to her by aggressively hugging him from behind, despite his outspoken annoyance. Explore the latest videos from hashtags: #hospitalscene, #shinjihospitalscene, #shrinershospital, #asukaandshinji, #yoshodahospital, #shandshospital . On the surface, it's hard to understand exactly how Shinji is responsible. During the later stages of the episode, in her fight against the MPEs, Asuka, who found in her mother's soul the support she needed to recover, makes a comment about Shinji's absence: "Jeez! Immediately letting go of him, she freezes up and doesn't even say goodbye. ", Asuka: "You think you understand me? Shinji: "There's no way I could understand you. You can do anything you like to my body, as you did at that time.". The only relevant scenes in the episode concern Asuka and Shinji, is when Asuka chews him out for failing to bring lunch to school for her, and Shinji meekly making excuses in return, leading them to get accused by Toji of fighting like a married couple, which they both deny. In fact, in an earlier EoE script, Shinji would not masturbate in the hospital, but instead in his room, thinking of Asuka with superimposed images of breasts (similar to what Shinji sees when he is asked by Lilith-Rei what he wishes for just before entering Instrumentality) and even his face as he ejaculated. As such, he refuses to pilot until Misato dies, but, after spending so much time hiding himself and refusing to move, by the time he arrives in Unit 01's cage the Eva is already enclosed in bakelite. Thus it is up to the viewer to piece together their motivations from the unspoken or implied aspects of their actions. Shinji embodies Asuka's shadow. You made a girl cry!". Incidentally, to amplify the Misato/Kaji and Ritsuko/Gendo parallels, in Episode 25, during Misato's Instrumentality section, she is questioned by Ritsuko why she slept with Kaji. Not only do Shinji and Asuka miss a chance to connect further, they also fail to establish support from one other that they would desperately need as the war with the Angels worsens in subsequent episodes. This is certainly one of the scenes in which the duality of their relationship is most obvious. The fight of the episode offers the three pilots another opportunity, once again successful, to cooperate. The obvious purpose of the scene is to express Shinji's attraction for her and to hint at Asuka's loneliness. The last scene in the episode sees the three lying on a hill, looking at the city with no lights on and expressing the way they feel. Kaji and Misato can also be seen as relatively positive adult versions of them, that have gone through similar hardships and trauma but mostly overcome them, even though they still carry some scars. Satsukawa noted the thematic similarity with Eva, and felt Love & Pop was almost like a continuation of Evangelion, and Anno said he was attracted to the protagonist, a mentally ill girl with multiple personalities. On the menu of this January weekend, Epiphany celebrations with cakes, brunches . Forced to come to terms with her feelings for him, she snarls: "Why are you there?! Rei fans must not be pleased. In Episode 22, above, Shinji is physically distant from Asuka, they are divided by a physical object, and Shinji is visibly tense as he is unable to comfort a visibly crying and furious Asuka. # hospitalscene, # shandshospital see how, after the kiss, Asuka seems to be mistaken romantic... Having yet to learn to stop fearing rejection, and Asuka could have defeated the MP.... 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