Anyone else needs to contact them, just go to the main website. Yes, good drivers. IMHO these are some of the best, if not the best, Ceramic/British Voiced speakers available today. Fane Acoustics Limited, Batley, West Yorkshire, England, was officially registered as a Company on 11th June 1958. These silver dust caps can be seen through the grille cloth in David's 1994, 2006, and 2015/16 tour speaker cabinets. Originally the G12/75 and G12T-75 had a vent hole on the back to relieve VC pressure and tame the high end, allowing them to stay clean at very high volume, but later G12T-75 speakers from around 1986 onward had no vent. All used the exact same chassis, circuit, transformer, and tubes as the Twin Reverb. Tony474 thanks for keeping it basic! They should be replaced after about 20-25 years, which adds to the cost. Almost all of the leading manufacturers of this time would come to load FANE components into their products during this and the following decades. Brand New. Visually the speaker looks very similar to the original Fane Crescendo, but the spoke holes in the cast metal frame are not as wide, the underside of the magnet has a beleveled edge rather than a corner like the original, and the hammerite finish pattern is smaller and smoother looking. Open back cabs spread the sound more in all directions and can sound looser. showan above - 59 Fender Bassman reissue from 1990 with blue frame alnico speakers made by Eminence. The launch of Colossus PRIME 18XS saw the arrival of another legendary FANE high power 18-inch drive unit to stand alongside the mighty Colossus 18XB. The pedals he used in that rig were often a Rat, Boss CE-2 chorus and Boss CS-3 compressor. It was removed for the LTD version. He had WEM 4x12 cabinets with Fane Crescendo speakers in, identical to the ones he uses now" - Pink Floyd backline tech Phil Taylor, Guitarist Magazine Jan 1995, "I have two new 100-watt Fender Twin Reverb heads running to two 4xl2 cabinets each-two WEM cabinets with Fane Crescendo speakers and two Marshall cabinets with Celestions." In 1984, 1986, 1994, 2001- 2006, and 2015-2016 David combined his Fane Crescendo speakers with Celestion speakers to make a more balanced sound in his live rigs. By bringing FANE closer to key growth regions, FANE has been able to develop market share in the great emerging world economies. Fane has a strong heritage and history in sound engineering excellence. There was a 1980s era Crescendos labeled "12E" with black coated frames and push tags, in both 120w four spoke frames and 180w eight spoke frames. Note that an amp tech will need to rebias the amp for you when you change tubes, for the best optimal sound. Yes and no Out of curiosity I did some digging and came up with this: . Couldn't blame Fane for wanting to get a piece of the nostalgia-fuelled money which leaves many guitarist's hands (including mine!). That particular Celestion, especially those made in the mid 1990s - adds a thicker mid scooped tone with lots of low end to the bright mid range of the Crescendos to create a much richer and fuller tone. In 1994 David had his Hiwatt preamps switchable, so they could be bypassed and allow the Alembic to become the preamp for his whole live Pink Floyd rig. Another option is the less expensive 1028K version that is readily available. Many thanks - that's a great description for what I am after in my head - I am not a Stadium Player, I made comparison clips of a Fane Crescendo, Hi-Tone Crescendo A, RS Starfinder, and several other speakers on this page, with notes on the differences -, Ive got 4 original Cresendo A 100w, and 2x Rawson Sparfield DG12A, on a recommendation from someone here on the forum. Please check the fields highlighted in red. Foolishly Traded away? Production made after 2002-2003 in China do not have the ink stamp, they have a white rectangular label on the side of the magnet. - David Gilmour has used a wide variety of small combo amps (amplifier + speakers in one cabinet), Kits Secret Guitar, Gear, and Music Page. The 12 A was the type often used by Gilmour. Reviews on Crescendo in 1408 W Whittier Blvd, Montebello, CA 90640 - Crescendo Senior Living of Placentia, Crescendo Performing Arts Academy, Crescendo pilates, Crescendo Home Theater, Crescendo Fashion, Yang's Kitchen, Crescendo, Love is Cinema, Cali Roots Designs, SONGSTRUCK Weddings & Events Drivers for household or reinforcement use were advertised in 1959. This Bassman/Hiwatt setup was used for most of the 1993 Pink Floyd sessions which resulted in the Division Bell album, where David first started using the B.K. Im looking at Ted Weber's 1225 ceramic greenback clone and his Axis 12 100 watt Fane AX12 clone. Sometimes the Celestions were loaded in Marshall JCM-800 4x12"speaker cabinets, like in 1994 and 2001-2005, and sometimes in his WEM cabinets, like in 2006 and 2015. The stock Marshall cabinets were sold with several different speakers types at different times: G12/75, G12-80, G12M-70, G12-100, G12H-100, G12-65 (1978-1983), G12T-75 (1984 - 1990). All Crescendos do not sound identical, but compared to my originals, the Starfinder is slightly darker with less upper mid range. Sound City is one also WEM but mostly I think Hiwatt when Fane comes up. Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers In 2010 Hiwatt UK briefly sold an unlicensed, China made, WEM branded Starfinder 4x12 cabinet made of particle board with printed cloth. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from his 2015 tour. The ink stamps on the cones of my speakers are marked 1021/15, but I have seen other Crescendo cones with completely different numbers. You are using an out of date browser. Reeves Vintage Purple speaker with a Green Russian Big Muff - In Any Tongue solo, Reeves Vintage Purple speaker with a BKB 911 Tube Driver - Louder than Words solo, G12T-75 speakers with vent hole on back made by Celestion in England in the 1980s (left) and the version without the vent hole from the 1990s (middle and right). In 2007 FANE was relocated from its then manufacturing plant in Leeds to its current home at our headquarters in Castleford, West Yorkshire, England. WEM sold these with many different brands of speaker inside, including Fane, Celestion, and Goodman. Electric Guitarists. Each Fane Acoustics speaker is individually hand crafted by a team of highly skilled craftspeople. It is the perfect amp to use clean, with a B.K. Those were used with his Hiwatts, and I presume the third was a spare. From the start, FANE had also produced large 12-inch bass drivers for OEMs in the specialist hi-fi industry in addition to producing its own hi-fi products such as the Quartet complete loudspeaker system. - Phil Taylor, Guitar World Sept 1994, "I've got three normal Hiwatt heads, AP100sOne Hiwatt powers a WEM 4x12 with the Fane Crescendos in it and a Marshall with Celestions; the second does the same thing but it has a chorused version of the first signal in effect, this means that one pair has a wet signal and the other remains dry." SPEAKER COMPARISONS - I have listed as much information above as I can for those of you that want to seek out the original 12 A Crescendos, but there are two good modern speakers that do a good job replicating the Crescendo tone, and several other alternative speakers listed below. Fane Acoustics Limited, Batley, West Yorkshire, England, was officially registered as a Company on 11th June 1958. I never tried the standard Tonker, but I tried the Tonkerlite, which was supposed to be the closer of the two. Fane label that was also used on some speakers with the exact same specs as the Crescendo 12 A. The speaker cones were ink stamped with an identification code, although many only had a partial stamp because of the curved cone shape. speaker cab loaded with Celestion speakers from 2001 (left) and 2004 (right). Fane Crescendo Type A speaker with Green Russian Big Muff - On the Turning Away solo, Fane Crescendo Type A speaker with a Green Russian Big Muff - In Any Tongue solo - no modulation, Fane Crescendo Type A speaker with a Green Russian Big Muff - In Any Tongue solo with modulation, Fane Crescendo Type A speaker with EHX Ram's Head Big Muff - Mother solo, Fane Crescendo Type A speaker with Green Russian Big Muff - Money solo, Fane Crescendo Type A speaker with B.K. Eminence The Governor Redcoat Series 12 inch 75-watt Replacement Guitar Speaker - 8 Ohm. Shown above - Practical Wireless catalog page from 1978 listing the wide variety of Crescendo speakers available. Shown above - Fane Crescendo 100w 12 A speakers from the early and mid 1970s with 122326 ID codes and various spoke label colors. Gilmour recording at Abbey Road in 1975 using a 1972 Fender Dual Showman Reverb amp with matching Fender 2x15 cabinet with JBL speakers. Fane Crescendo speakers were made by the legendary British loudspeaker company Fane in the late 1960s, and throughout the 1970s and '80s. The tone falls somewhere in between the Crescendo A and Weber FC12. The also used and Still Use Glass Formers in the Voice Coils. Fane Crescendo 1970s pair Gilmour Floyd 12A Speakers used Pre-Owned $1,247.72 Buy It Now +$166.36 shipping from United Kingdom 28 watchers Sponsored PAIR FANE 10 30 10 INCH ALNICO SPEAKERS 8 OHMS Refurbished $399.00 Buy It Now +$42.04 shipping 10 watchers Sponsored Matched Pair 2x Vintage 1971 Sound City Fane 122190 40w 15ohm 12" Speakers 1970s Those Celestion 75s were either Rola Celestion G12/75, introduced in the 1970s, or the later G12T-75 version made in England in the 1980s - 1990s. Frames were coated with a gray hammerite finish but changed to black in the late 1970s-early 1980s. Overnight speaker power handling was doubled and the legendary Crescendo MI range was born. The cabinet was made of plywood covered with plain tweed cloth, not laquered tweed like the originals. There were also several different Fane Crescendo models with various speaker frame designs and labels. Hi-Tone Crescendo A speaker with Green Russian Big Muff - On the Turning Away solo, Hi-Tone Crescendo A speaker with a Green Russian Big Muff - In Any Tongue solo - no modulation, Hi-Tone Crescendo A speaker with Green Russian Big Muff - In any Tongue solo with modulation, Hi-Tone Crescendo A speaker with EHX Ram's Head Big Muff - Mother solo, Hi-Tone Crescendo A speaker with Green Russian Big Muff - Money solo, Hi-Tone Crescendo A speaker with BKB 911 Tube Driver - Take A Breath solo, Hi-Tone Crescendo A speaker with a BKB 911 Tube Driver - Louder than Words solo, Hi-Tone Crescendo A speaker - clean tone with compressor - Coming Back to Life, Hi-Tone Crescendo A speaker - clean rhythm tone with compressor - Another Brick in the Wall Part I, Shown above - 100w FC12 ceramic with aluminum dust cap from Ted Weber. 2015 Fane International Limited. $375.00 Local Pickup or Best Offer 15 watching Pair Infinity Crescendo CS 3007 Speakers Serviced playing great all original $799.00 Local Pickup 12 watching By the late 1970s there were at least 14 different models of Crescendo speakers offered by Fane. East Whittier, California Call Now. As Bill Sees It. Umthey are by FaneI'm not too sure.". The 1 1/8 " baffle was made in two pieces, consisting of a fixed 3/4" plywood (12 ply) speaker baffle board and a cloth and piping covered 3/8" front baffle board that was screwed to the speaker baffle. The easisest way to tell an original 59 Bassman reissue from the later LTD is the fake "ground" switch on the original. The 1990 tweed Fender 59 Bassman RI combo amps David used throughout the 1990s and early 2000s were fitted fitted with four 10", 8 ohm, 20w Legend 1028P blue frame Alnico speakers with paper voice coil formers, made by Eminence for Fender. Most were 50w or 70w Fanes with completely different specs. The control panel included a fake "ground" switch, to match the look of the original Bassmans. Entdecken Sie Eminence Marshall-Speaker"AX-75"/12er,16 Ohm-75Watt-neuwertig in der groen Auswahl bei eBay. Although not an exact copy, it is very close to the sound of a 1970s Fane Crescendo and includes the aluminum dust cap. Each speaker was mounted in the same isolated 1x12 speaker cab and recorded with a Sure SM57. Your purchases also help protect forests, including trees traditionally used to make instruments. Items must be returned in original, as-shipped condition with all original packaging.Learn More. An alternative is the Eminence GA10-SC59 speakers, which are also 20w and with paper voice coil formers like the 1028P. Copyright Kit Rae. You can also upgrade the four stock 6L6 Groove Tubes (that's what was in mine, new) for a good set of NOS tubes or JJ Electronics tubes, and swap preamp tubes for NOS or JJ's (2-5 tubes depending on which input you use most and if you use the reverb or vib/trem). Our loudspeaker selection tools helps you choose the ideal product for your application. The real breakthrough for the industry, and from FANE specifically, came with Arthur Falkus development, presentation and use of the glass fibre voice coil. This is a Strat with EMG-SA neck pickup, Boss CS-3 Compressor, and a ProCo Rat. The silver foil Crescendo label on the back plate was made in two versions - a Black Label and Silver Label. The type of 12" Crescendos David Gilmour has used since the early 1970s are type 'A', with the identification code 122326 ink stamped on the cast metal speaker frame. These speakers are a bit wider voiced, more agressive than the original Greenbacks, and also take OD much better. The 122326 ink stamped identification code was usually stamped right above the label on the spoke. 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